She began her career as a fashion designer in 2003. She created her heroine in 2009 based on her first stylistic silhouettes. A graceful, ultra-feminized, and deceptively ingenious muse: La Midinette.

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An icon of yesterday's Paris whose origins date back to the first demands of haute couture workshop workers. Immersed in Parisian luxury, Rachel Bergeret uses painting as her primary means of expression. Her work thus maintains a paradox between her admiration for beautiful things and a certain derision for consumer society.

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It is the polymorphous, three-dimensional aspect that seduces the viewer at first glance. Mystical, poetic, dreamlike, surreal, ironic, provocative, ingenious, and artificial, her work draws inspiration from great names.

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The flowing hair of the Pre-Raphaelites, the opulence of Gustav Klimt, the audacity of Toulouse Lautrec, and the modernity of Edmond Kiraz are all rooted in his childhood imagination.

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A rereading beyond the aesthetic abundance is essential to understand the true nature of his discourse and his lifelong quest.